Oct 2 – 13, 2019
Shakespeare's Ophelia rises up out of the water, dreaming of Pop-Tarts and other sweet things. She finds herself in a neo-Elizabethan Appalachian setting where Gertrude runs a brothel, Hamlet is called a Rude Boy and nothing is what it seems. In this mirrored world of word-scraps and cold sex, Ophelia cuts a new path for herself.
Oct 4 – 5, 2019
Returning to the Texas Theatre and Dance stage, The Method Gun explores the life and techniques of Stella Burden, actor-training guru of the 1960s and 70s, whose sudden emigration to South America still haunts her most fervent followers. Burden's training technique, The Approach (often referred to as "the most dangerous acting technique in the world"), fused Western acting methods with risk-based rituals in order to infuse even the smallest role with sex, death and violence.
Nov 6 – 24, 2019
Winner of eight Tony Awards, including Best Musical, Spring Awakening explores the journey from adolescence to adulthood as a group of young people struggle with questions of morality, sexuality and self-identity. Set to a punk rock score, this groundbreaking musical personifies the struggles of growing up and finding your own unique voice.
Nov 12 – 17, 2019
Dance Repertory Theatre, the award-winning student dance company, presents new work from professional and student choreographers in Fall For Dance.
Feb 26 – Mar 8, 2020
Marcus is sixteen and "sweet." Days before Hurricane Katrina strikes the housing projects of Louisiana, the currents of his life converge, overflowing into his close-knit community and launching the search for his sexual and personal identity on a cultural landscape infused with mysterious family creeds. The provocative, poignant and fiercely humorous coming-of-age story of a young gay man in the South, Marcus; or the Secret of Sweet is the stirring conclusion of The Brother/Sister Plays by Academy Award-winning playwright and screenwriter, Tarell Alvin McCraney (Moonlight).
Mar 4 – 13, 2020
UTNT (UT New Theatre) presents newly developed works from playwrights of Texas Theatre and Dance and Michener Center for Writers. Now in its 13th season, this showcase exists as an incubator for new work, with many continuing on to be professionally produced across the country.
Mar 4 – 13, 2020
Not Omaha is a surreal, darkly odd story about the end of the world in a small town. What if the apocalypse was like the death of a parent –natural, strange and sometimes beautiful?
Mar 4 – 12, 2020
When A tries to bond with her sister B over their shared obsession with the fermented ancient butter that’s found buried in peat bogs, she digs up more than she bargained for: not only the end of the whole polluted, broken world, but also the dairymaids of the deep past and the far future — and some vulnerability she might not be ready to handle.
Content warning - This play contains women swearing, committing violence, surviving, and eating really old dairy products.
Mar 5 – 11, 2020
A garage. It is the grimy underbelly of an otherwise luxurious mansion in Madrid. Three friends—no longer children but not quite adults—and one dying golden retriever waste away, one Friday night at a time. They bob along to techno, get high, get drunk, make plans, get angry, lose interest, spill things, shit-talk their friends and ollie over skateboards. They try to wield what little power they have—or maybe it's a lot—over life and over each other.
Mar 5 – 11, 2020
"I’m gonna take all the naked cowboys in Texas till I find myyy naked cowboy.” - Clint-John
Two guys in a totalitarian country fancy the American Old West. When a shipwreck leaves them stranded on an isolationist island, these wannabe cowboys do what the old Hollywood cowboys did: chase after love, freedom and myths—only this time, with zany shenanigans. Minghao Tu’s A Fistful of Trespassing is a farcical fever dream—bubbles burst like dynamite.