kin • song: ode to disability ancestors is a digital performance ritual, a cybernetic seance. Through monologue, dialogue, puppetry, song and dance, we will join creative forces to call upon the ghosts of our disability ancestors, waking them from their unmarked graves to join us in an act of mourning, celebration and care. Here, in the sacred timespace of performance, we will name them, claim them and honor their brilliance, all before (finally) laying them to rest.
Under the artistic direction of Leah Cox and Joel Valentín-Martínez with producing artistic director Erica Gionfriddo, Dance Repertory Theatre returns to the stage for an in-person celebration of dance, togetherness and connection, presenting poignant new works of choreography. Fall For Dance will feature two unique versions of programming that seek to challenge and expand our understanding of the power of dance to change and transform, as well as an exploration of our collective transition through the COVID-19 pandemic and how we can take lessons learned to the other side of this ongoing metamorphosis.
With government leaders getting poisoned left and right, the Tasters have an important job — eating delicious, gourmet meals and then waiting to see if they die. When one rebellious taster goes on hunger strike, the reverberation of her choice threatens to disrupt the order of their world and change the course of history.
A Director's Studio Presentation. In a society where women’s lives are governed by New Legislation enacted by a ruthless regime, Irene is imprisoned and finds her world limited to a series of prison cells. Her only knowledge of the outside world and the international impact of her case comes from her best friend Anna and her lawyer Gudrun. As the three women work to secure Irene’s release, each is forced to confront the limitations of their own belief, faith and love. Meek leads us on a haunting journey into the darkest recesses of human conviction and asks us to consider, when given the chance to change the world, what are we willing to sacrifice?
Sonnets for an Old Century examines what it means to be alive at this particular time and place and what traces each of us will leave behind. In a series of exquisitely written monologues, using dance and live music, Sonnets captures the subtle, often overlooked treasures of everyday life.
UT Live Design Showcase 2021 presents work created for theatre, dance and other performance mediums by M.F.A. candidates in the UT Live Design program as well as B.A. in Theatre and Dance undergraduate students pursuing an emphasis in design and technology at The University of Texas at Austin Department of Theatre and Dance. Areas of work include costume design and technology, lighting design, integrated media design and scenic design. Collectively, this work helps tell visual stories for live performance and reflects the collaborative nature of the theatrical process.
How do you love someone who isn't you without ruining your own life? OCD is a dark comedy about impossible sibling connections, mental illness and a desire to have a room of one's own in a world where boundaries between the notion of love and sacrifice are not always clear. After her brother’s accident, an older sister gets hallucinations of her brother falling from an iceberg in Antarctica – a place she believes used to trigger her brother’s OCD. She then visits the doctor who used to treat her brother, claiming that she has OCD.
The Cohen New Works Festival is a biennial, week-long showcase of new work created by students at The University of Texas at Austin. It's not just an event, but a celebration of a continuously ongoing process - the creation of new work.
Everyone at the Atreus Housing Project is anticipating the long-rumored return of GHOST. When he does arrive, it sets off a persistently fatal chain of events. His wife NESSA is suspicious of him, his daughter ALEXUS could care less about him, a kid in the neighborhood, OLLIE, worships him and the girl with kerosene gas dripping from her hands KARA is just wandering trying to find her place in it all. And where in the hell is his son BISHOP anyway? If only they could ask that fake-ass psychic, PIANO MAN. The FURIES watch this all, withholding their verdict on the violence for as long as they see fit. A liberal homage to Aeschylus's Oresteia.
This lyrical play explores what it means to be sad and a woman in this world through the lens of the Greek tragedy, The Trojan Women. Examining trauma, mental health, violence and the internet's role in these things, sad women being sad asks the larger question of how and if we can separate the artist from their art. Be prepared for a comedy!