Recent News

Presented as part of the "Vaudeville!" exhibit of the Harry Ransom Center, this event, created by Dr. Charlotte Canning and Dr. Andrew Carlson, among others, will take place March 8.

Faculty member Roxanne Schroeder-Arce's play Yana Wana's Legend of the Bluebonnet premiere's at Dallas Children's Theatre this March. The legacy of the Coahuiltecans, who originated in Texas, has virtually been erased, but this co-production with Cara Mía Theatre Company revives their legacy through the story of a young girl connecting with her heritage. On stage March 23 - April 8, 2018. 

The Austin American-Statesman review of Lucy Prebble's ENRON praises "director Hannah Wolf [who] has crafted a nuanced, satirical, enraging piece of theater that is more timely in the era of “Me, Too” than ever before." 

The world premiere of faculty member KJ Sanchez's Cincinnati King will be staged at Cincinnati Playhouse in November 2018. Written and directed by Sanchez, Cincinnati King celebrates Cincinnati's rich music history based on interviews that trace the career of Syd Nathan, the founder of King Records. 

The Austin Chronicle praises Texas Theatre and Dance's production of ENRON, "presenting Lucy Prebble's entertaining and historically accurate script, but further reframe[ing] and moderniz[ing] the play with a cast composed of actors whose gender identities are either female or non-binary." 

Alumnus and musical visionary Harvey Schmidt (B.F.A. in Art, 1952) earned his shining spot in theatre history as the composer of the longest-running musical ever, The Fantasticks. He passed away February 28, 2018 at age 88.

"ENRON is a terrifically entertaining and thought provoking piece of work that infuses history with a tautly contained circus sideshow energy to create an immensely engaging evening of theatre." Broadway World reviews Lucy Prebble's ENRON, on stage at the Oscar G. Brockett Theatre through March 4, 2018.  

Members of the community engagement team discuss masculinity, what defines “toxic masculinity” in the context of contemporary society, the Enron scandal and and the impact of the storyteller in Lucy Prebble’s ENRON.