Recent News

Dr. Charlotte Canning's book, On the Performance Front: Internationalism and US Theatre, discusses internationalism in theatre and its ability to connect cultures.

Faculty member Dr. Megan Alrutz received the Theatre for Young Audiences/USA 2016 Harold Oak Award for her exemplary contributions to children's theatre. 

United States Institute for Theatre Technology's spotlight is on faculty member William Bloodgood, scenic designer, former resident scenic designer at Oregon Shakespeare Festival and a freelance designer.

Department of Theatre and Dance Ph.D. candidate Bart Pitchford discusses how creating theatre in Jordan brings a sense of community and closure to refugees from Syria.

A statement from College of Fine Arts Dean Doug Dempster regarding improved security in and around the facilities of the College of Fine Arts.

A reflection of the power and impact of Dr. Alrutz's work, the award underscores the belief that education involves positive change for society.

Professor Charles O. Anderson sits down with Arts + Culture Editor Nancy Wozny to share his personal story in dance, life and art.

Professor Steven Dietz received a citation of the 2015 Harold and Mimi Steinberg/American Theatre Critics Association New Play Award for his play Bloomsday.

Faculty member and managing director of the Oscar G. Brockett Center for Theatre History and Criticism, Andrew Carlson, will discuss the differences between folio and quarto texts' influence on Shakespearean performance.