Recent News

Playwright and faculty member Lisa B. Thompson's play collection, entitled Underground, Monroe, and The Mamalogues, is now available for purchase. Thompson's work touches a variety of themes within the Black experience in America, including family, racial violence and motherhood.

Associate Professor of Practice Rusty Cloyes has been named the recipient of the 2020 Department of Theatre and Dance Teaching Excellence Award, a prestigious teaching accolade recognizing his contributions to student success within the department.

Recent graduate Audrey Loomis (B.A. 2020) has been selected to present her research at Utah Shakespeare Festival's Wooden O Symposium this August. She is one of the few undergraduate speakers chosen to present her thesis, entitled "Unsex Me: Exploring Gendered Adaptations in Shakespeare," at this year's virtual symposium, August 3-4, 2020. 

Austin's Salvage Vanguard Theater is presenting a new work by Taji Senior, directed by alumna Si Mon' Emmett (B.F.A. 2018), with dramaturgy by Tyler English-Beckwith (B.A. 2016) next month. Amendment: the making of an american myth, or the slow sipping of a peacock tea is a solo piece that critiques the American assumption that we formed "a more perfect union" through the eyes of an enslaved woman who has been put on trial. 

Alumnus Isaac Gomez (B.A. 2013) was featured in a list of must-read plays from the Chicago Reader. His one-woman play The Way She Spoke, drawn from interviews he conducted with women in Juárez, Mexico regarding a number of murders and disappearances over the years, is now available as a downloadable audiobook. 

We recently interviewed 2020 Latino Media & Arts Studies Senior Thesis Award winner and recent B.A. in Theatre and Dance graduate Ariane Stier about her project “Mírame: Deconstructing Latina Representation and Empowerment in Performance.” Stier discussed her process and plans for the future of the project, as well as her inspirations and goals as a theatre artist eager to amplify the voices of those who have been historically silenced.

Gesel Mason was among five dance educators nationwide who spoke with Dance Teacher Magazine about last semester's transition to online courses. While universities nationwide are considering continued distanced learning, Mason and her fellow professors share what worked the ways assignments were adjusted in order to overcome the challenges of leading classes through a computer screen.

Each semester, members of the dance area have traditionally come together to present a showcase of student work known as the “Dance Area Performance Showcase” or DAPS. This year, with the shift to online learning amidst shelter-in-place protocols, faculty and students have had to adjust their plans to preserve some semblance of what a normal semester would look like. For our dancers, this included reinventing their DAPS showcase as a YouTube playlist; sharing videos of online classes and experiments as well as virtual performances of their final projects.

This August, Lisa B. Thompson will be amongst 26 playwrights presenting work at the Road Theatre Company's Summer Playwrights Festival. Thompson's play Dinner explores cultural and political differences between families as the parents of Joanna, an African American middle class woman, and her fiancé Jonathan, a wealthy Nigerian immigrant man, sit down to dinner. Her play will kick off the second week of virtual readings, streaming August 6, 2020. 

In a time filled with uncertainty, Dr. Charlotte Canning reflects on the profound hope and determination of her B.A. Honors junior seminar students as they plan for their senior theses. Their plans for the future expanded beyond collegiate assignments, encompassing the fears, passions and aspirations of an entire generation of theatre artists striving for a better, more inclusive world. Exploring topics including increased accessibility in performance spaces to broader representation of marginalized communities, these students are, as Canning says, "the people whose work is going to ensure the future of live performance in a post-COVID 19 world."