A thrilling combination of projection design, film editing, real-time graphics and music, this show is a seamless flow of sights and sounds generated by the College of Fine Arts student communities, including featured performances by José Martinez, Michael Bruner, Millie Heckler and Dance Action.
In Venice, a Jewish businesswoman tries to join a clique of power-brokers, a wealthy merchant tries to buy a young man's love and an heiress attempts to escape her dead father's will. Combining elements of satire, comedy and thriller, The Merchant of Venice asks us how far we're willing to go to achieve happiness.
Amber and Tom are two freshmen at Princeton struggling to find their way. They spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? Actually investigates gender and race politics, our crippling desire to fit in, and the three sides to every story.
Dance Repertory Theatre, the award-winning student dance company, presents new work from professional and student choreographers in Fall For Dance, including works by Gregory Dolbashian and Sidra Bell.
In 1916, a series of fatal shark attacks terrorized the New Jersey Shore. Further inland, a polio epidemic plagued Philadelphia, while the cloud of World War I loomed. Matawan follows the humans who struggle against these forces, as well as the story of the shark - a creature whose constant evolution has led to years of survival.
The Performance as Public Practice Graduate Student Association is proud to present a locally-inspired production of William Shakespeare’s The Tempest, drawing parallels between colonization and gentrification.
A semi-staged reading featuring professional actors, this lyrical biography of Leonard Bernstein takes a symphonic look at the major melodies playing throughout his life: music, family, spiritual longing, carnal passions and death. We see Leonard as a boy and man, as a father and son; bisexually brilliant and politically naive. Cymbals crash, the brass crescendo, the maestro takes a bow.
The John L. Warfield Center for African and African American Studies presents Performing Blackness Series: Duets. Join Dr. Lisa B. Thompson in conversation with Joan Morgan, awarding-winning cultural critic, feminist author and a pioneering hip-hop journalist.
This annual performance of collaborative invention and experimentation showcases the talents of students and faculty from the Sarah and Ernest Butler School of Music and The University of Texas at Austin Department of Theatre and Dance.
Come enjoy one last magical evening with the Musical Theatre graduating seniors as they perform excerpts from their recent New York Senior Showcase as well as favorite songs from Broadway and beyond!