Recent News

In a recent interview with National Performance Network, faculty member Gesel Mason talked about her upcoming project Yes, And, and the multiple residencies that have made her project possible as well as the community of Black women who have inspired and impacted the piece.

Faculty member Gesel Mason spoke with Fusebox Festival about centering the voices of Black women in her project Yes, And, along with her previous projects and how they have inspired her current work. Yes, And is being developed as a part of Mason's residency with Texas Performing Arts and Fusebox Festival.

Alumni Isaac Gómez and Karen Rodriguez recount their long history of collaborating as theatre artists, beginning with their time as students at the Department of Theatre and Dance. Their most recent collaboration, Steppenwolf Theatre Company's audio adaptation of Gómez's Wally World, is streaming from December 16, 2020 to August 31, 2021.

Head of the playwriting/directing area KJ Sanchez is leading a group of collaborators in creating a piece of documentary theatre that digs into the complex lives of those we call essential workers, commemorating the realities of working through a global pandemic.

Fusebox Festival interviewed Frank Wo/Men Collective founders Kelsey Oliver (B.F.A. 2015), Roberto Di Donato (B.A. 2016), Chris Conard (M.F.A. candidate) and Alexa Capareda about the creation and upcoming workshop performances of K ! :D D: Ö as part of the residency program created by Texas Performing Arts and Fusebox Festival.  

Head of the dance area Charles O. Anderson strives as a teacher and mentor to lead with compassion, creating environments that empower his students to share their stories through movement. His passion for inclusive dance education earned him a Regents’ Outstanding Teaching Award and has helped him impact the lives of countless students.

Charles O. Anderson, faculty member and creator of (Re)current Unrest, recently spoke to Dance Magazine about the creation of a virtual piece of its magnitude, touching on the upcoming (Re)current Unrest film premiere at Dance Place on December 5, 2020.

To celebrate the launch of their Winter 2020 issue, The Paris Review is hosting a virtual table reading of faculty member Kirk Lynn's play The First Line of Dante’s Inferno, an excerpt of which is featured in the issue, followed by a discussion with guest theatre editor and faculty member Branden Jacobs-Jenkins.

Charles O. Anderson's (Re)current Unrest has been transformed into a fully realized film thanks to Director of Photography Maggie Bailey, utilizing footage from our recent production as well as a video component featuring D.C.-based artists. The film will premiere at Dance Place in Washington D.C. on Saturday, December 5, 2020.