2025 Cohen New Works Festival Projects

are you ok in there?

Interactive Experience 

are you ok in there? is an absurd, claustrophobic solo show for a solo audience – all within the confines of a single bathroom stall. With the aid of soundscapes, projections and myth, the performer – dressed as a Hindu deity – weaves together an intimate story about loss, divinity and those ethereal spaces between 'here' and 'hereafter' we've come to know as bathrooms.

Project Lead: Matt Thekkethala 

ArtVend 2.0

Installation

This is your chance to sample small art pieces created by your very own colleagues and peers! With just a quarter or two, you can visit our machine and receive a random and anonymous 2D artwork of your very own. Each piece is handcrafted by a member of the College of Fine Arts community, and the proceeds will be used to fund various Fine Arts projects. Looking forward to you stopping by! Share your experience and what piece you ended up with by including #UTArtVend on social media.

Project Leads: Marisa Lawrence and Jason Buchanan

At This Table

Dance

At This Table is a dance production that explores the rich traditions and intimate dynamics of family dinners. It delves into how the dinner table becomes a space for connection, tension and transformation—a place where political discourse, differing perspectives and miscommunication converge. Through intricate movement and partnered expressions, this work highlights how conversations at the table weave the bonds of family and friendship. These exchanges, though sometimes challenging, reveal the beauty of coming together despite our differences. From the warmth of laughter to the clash of ideas and even the silence in between, At This Table captures the universal experience of sharing a meal and the deeper connections it creates—a celebration of our shared humanity.

Project Lead: Makaila Natividad

Bending the Narrative

Found Footage Filmmaking Workshop

Description to come!

Project Lead: Arash Baqipur

Biophilia

Concert/Installation

Two intertwined forces drive Biophilia forward: sonic erasure and the creation of hyperreal ecosystems. Fractured sounds from the natural world are delicately unraveled, dissolving into shadows of their former selves. Echoes of quiet violence and the slow fading of voices woven into the fabric of living landscapes. What lingers are ghostly remnants — artificial worlds that breathe with broken memories. These shimmering soundscapes blur the boundary between presence and absence, creation and ruin, and invite listeners to wander through echoing voids where nature’s songs are mourned and reshaped. Biophilia is a call to listen inwards, to listen to what's within familiar sounds, to live through soundscapes of dissolution.

Project Lead: Gabriel Araújo

Death and the Girl

Play

A surreal exploration of Restorative Justice, gun violence, afterlife and the misogynist corners of the internet, Death and the Girl takes place in a dream and in purgatory.

DRU, a lonely teenager with sleep paralysis and the dream of going to college, is used to seeing things in her sleep. So when she sees MAN in the middle of the night, she is not scared. MAN tells her about his execution. Was he electrocuted, beheaded, hung, shot? He can't remember. But he knows what they all feel like. As they get to know each other, MAN embodies different people in DRU's life until she can finally accept the fact that she, too, is dead.

Project Lead: Giulianna Lucia Marchese and Nadia Milad Issa

Engagement Installations

Installation

Description to come! 

Project Lead: AJ Hurtado

Emiliana: A Revolution Cabaret

Play/Cabaret

Emiliana is a queer woman who leads a double life. By day, she is Silvia Ibarra, the daughter of a prominent, Spanish-descendant doctor. By night, she transforms into Emiliana, a cabaretera (dancer/sex worker) who impersonates Emiliano Zapata and rallies her audience to fulfill the revolutionary hero's mission. Inspired by the prostitute melodramas of the Mexican Golden Age of film and the politics of post-revolutionary Mexico, Emiliana: A Revolution Cabaret recreates the atmosphere of the cabarets in 1940's Mexico City to address issues of social justice for Indigenous, femme and queer folks.

Project Leads: Jessica Peña Torres and Laura Camacho

Escenografía Viva (live scenography)

Performance

Escenografía Viva: Stories in Motion. There was a time when buildings carried stories on their walls, stories carved in stone, painted in vibrant colors and woven into the very fabric of their existence. From Aztec temples to Persian palaces, Ottoman mosques to Roman monuments, these creations spoke of gods, heroes and histories. What if we could bring these traditions into the present, but instead of carving stories into rock, we used moving bodies to create living, breathing scenography? Escenografía Viva explores this evolution as a blend of human motion and design that transforms the stage into an active participant in storytelling. It’s not just a backdrop; it’s alive.

Project Leads: Daniel Ruiz Bustos, Deen Rawlins and Venese Medovich Alcantar

Escucha Coreográfica

Installation

An interactive video installation, Escucha Coreográfica considers the distance between movement expression, sound and language and between familiar and unfamiliar aesthetics. Participants engage one-on-one with the aural record and verbal description of a dance piece they are most likely unfamiliar with. How do we appreciate dance without bodies? How do we decipher rhythm without a beat? Escucha Coreográfica invites each audience member to listen with their entire body to a dance.

Project Lead: Alejandra Martorell

facePiece

Performance/Installation

Faces serve as powerful sources of expression across different performances, from artistic to everyday ones. This piece is an exploration of faces where facial muscles - with their complexities and limitations of movement - are the core materials of a composition performed in 'unison' across many faces. facePiece reimagines and rethinks faces beyond mere emotion representations, seeking new expressive articulations. Some of which may evoke a sense of musicality.

Project Lead: Caio Costa Campos

Fanny Packs

Interactive Experience 

What does a peach and a donkey have in common? They both are ways to refer to the buttocks, that piece of anatomy that has folks flocking to the gym, buying special leggings and becoming the focal point of countless bathroom selfies. WHY? Join us in this activation that is part structured performance and part interactive improvisation that blends dance, storytelling, humor and history as we unpack (pun intended) the current obsession with the gluteus, shed light on historical/problematic fetishization of the black behind, normalize that every body has a booty and (hopefully) understand the need to twerk and the proper technique. With a live DJ, projection and a cast acting as performers and facilitators, we will create a unique experience to share the many stories our fannies pack.

Project Lead: Aysha Upchurch

Godfriend

Play

Godfriend is about us — or, a couple like us. Both have bodies that could carry a child, but neither are sure if they want to. So they look for a sign. Instead they become obsessed, and then possessed, by The Public Universal Friend, a colonial Quaker preacher who claimed God renounced them of their gender. How do we know what our legacy will be—and where do we put our faith? Using choral speaking that fluctuates between dissenting and unison, this play tries to make sense of the messy impulse to create new life. It looks at how amazing (and confusing) it is to love someone so much that you feel like the same person, whether that person is your spouse, your child, your god or your friend. Co-written and performed by Hal Cosentino and Ellenor Riley-Condit, directed by Caley Chase, with music by Hannah Read.

Project Leads: Hal Cosentino and Caley Chase

Happenchance

Play/Interactive Experience

A performance of a tarot reading for an entire audience, where each tarot card is a short play. This is an attempt at divining our collective past present and futures, and every show is experienced differently at the random or fated pull of a card.

Project Lead: Nick Hart

Hysteria

Installation/Interactive Experience 

An interactive sculptural installation made from clear plexiglass, designed to represent the pain and struggle of living with invisible illnesses. With the goal of making invisible hardships visible, this work serves as a conversation starter and invites the community to share their own experiences with hidden conditions.

Project Lead: Leah Austin

I Am 33% of the Truth

Performance

An artist's self-portrayal as a female Iranian refugee, conveyed through a collection of sounds, movements, texts and visuals. The work draws inspiration from "The Conference of the Birds," a 12th-century Sufi poem by Iranian poet Farīdud-Dīn Attar. The poem narrates the journey of 30 birds as they traverse seven metaphorical valleys: Quest, Love, Understanding, Independence, Unity, Astonishment and Nothingness in their search for the “Truth.” In the end, the birds realize that the divine truth they seek resides within themselves. This revelation exemplifies the Persian concept of "Simorgh," meaning "thirty birds,” a powerful symbol of unity and self-discovery.

Project Lead: Mojgan Misaghi

KILELE

Performance

A cultural inmersión that invites audiences in the vibrant essence of the Colombian Pacific, to experience the rich cultural tapestry of this coastal region through an evocative blend of dance and music. KILELE offers a space where festivity, community and the unique flavor of the region come to life, deeply rooted in heritage and resonant with universal themes of joy, resilience and connection. This sensory introduction leads into the currulao, an emblematic dance known for its rhythmic elegance. The audience is invited to actively participate through a call and response rhythm game and body percussion. The journey culminates in a vibrant chirimía-inspired dance-ceremony, where the collective energy of the space encourages celebration through spontaneous movement.

Project Lead: Valentina Reyes Rubio

Laughter in the Deep

Performance

With inventive storytelling and poignant humor, Laughter in the Deep offers a thought-provoking exploration of human-animal connections and coping mechanisms for life’s challenges through four different pieces: Laughter in the DeepSnow, my Dearest FriendWord of Mouth, and Albert Run

Project Lead: Lydia Wayne Chang

My Point Of Departure

Performance

Description to come!

Project Lead: Sarah Feli

 

Mountain Lights

Installation

This installation aims to capture that moment the sounds of the night and the fireflies blending into stars. When I was seven years old I fell in love with the universe. I looked out from a double-wide on the side of a mountain. In the waving oak trees, a galaxy of fireflies mirrored the stars overhead and everything felt so small and infinite and beautiful. To me, it felt like the vinyl lattice of the porch was the only barrier keeping me from tipping forward into space. The distant interstate seemed to rumble in harmony with the cicadas and the wind in the oak leaves. Everything felt so alive and so beautiful. This moment of beauty in the vastness of everything has defined how I see the world and people in it.

Project Lead: Gavin Strawnato

null(body)

Installation, Interactive Experience

null(body) is an interactive VR experience and installation exploring the way digital spaces and bodies affect how we engage with our own (physical) bodies. Participants will don a VR headset and enter a digital space where they will be encouraged to question their perception of self and others, in both the digital and physical worlds. Using participant input, movement and biometric feedback, the digital world will shift and change as we embrace the act of questioning and the inevitable transformation of our bodies.

Project Lead: Nitsan Scharf

Paracussion

Concert

Paracussion is an innovative commissioning project and concert that aims to address inequities and create a more inclusive space within the world of percussion. These compositions are designed to include specific impairments and categorized using a classification system inspired by the Paralympics. These classifications highlight accessibility, not limitations, ensuring that musicians with varying abilities can find music tailored to their needs. The classifications addressed in this project are Impaired Muscle Power, Limb Deficiency, Leg Length Difference, Short Stature and Vision Impairment. At the heart of Paracussion is commissioning five new works, one for each classification, composed and performed by students from The University of Texas in one concert. These compositions will showcase a variety of percussion instruments, including drum set, hand drums, keyboard instruments struck with mallets (e.g., marimba, vibraphone, xylophone), non-pitched instruments struck with sticks (e.g., snare drum, bass drum, tom-toms) and timpani.

Project Lead: Jenna Boone

Perhaps While We Were Caught in a Fever

Performance

Can you describe the world with thermal properties? Mother tongue: warm. Russian literature: cold. Tea in snowy night: hot. The flowers I bought yesterday: cold. Distant childhood memory: lukewarm. It’s easy. Anything can feel like a temperature. This is and is not exactly aligned with thermodynamics.

Subjecting the notions of being and becoming to a closer inspection, Perhaps While We Were Caught in a Fever is a theatrical treatment of the composition of the world and bodies in the making with and through fire, as thermal spaces and atmospheres.

Project Lead: Yuge Ma

Quiet Tears of Roses

Dance/Visual Art

Roses are the flower of all flowers, existing no longer as themselves but within the symbolism and expectations we have placed upon them. Their delicate, beautiful and soft petals are what we expect to cradle in our hand, until we grasp their stems and bleed mercilessly. The rose has always reminded my sister and I of ourselves - bearing the expectations placed upon our own feminine flesh to conceal the inner suffering unique to our own. A suffering we all conceal beneath the layer of thorns that uphold the soft petals expected from us. If we really took a second to see the rose for what it is, not what we expect it to be, we might finally notice the Quiet Tears of Roses. A multimedia dance and visual arts work, Quiet Tears of Roses compliments contemporary ballet choreography with anaglyph painting techniques to tell the stories of women bearing debilitating reproductive health issues.

Project Leads: London Lack and Paris Lack

Remains

Installation

What if all you could take with you were the clothes on your back?

Project Leads: Katie Concannon

Rigged: the Game Show

Interactive Experience 

An immersive experience that welcomes its audience into the wacky world of reality television, where they will have actual influence on the events of the evening. Now, imagine: you are a production assistant showing up for the first day of your new job working behind-the-scenes of your favorite reality-competition show. Then, enter the contestants— six hopefuls ready to give it their all for the chance to win a grand prize of one million dollars. The competition is only getting started and it is anybody’s game… except the winner has already been decided. Choose-your-own-adventure as you watch the competition unfold, participate in puzzling challenges, untangle the mystery of who production is secretly championing and, perhaps, alter the final outcome.

Project Leads: Anthony Anello and Julia Kreutzer

riverwild

Play

One of Lupe’s favorite activities is floating down the river with his cousins on a hot summer day - he’s actually quite the expert. But, what happens when the river splits in two and Lupe is left alone on the river to find his way back to his cousins? Using puppetry, live-streaming video and a topographic map, this play for young audiences is a poem about how humans belong.

Project Lead: Mateo Hernandez

SIMP

Concert/Performance

SIMP is an ambitious, multidisciplinary live performance of an original experimental hip-hop/pop album. At its core, SIMP tells the story of "the Simp," a character whose journey through love, loss and longing reveals why he has earned his infamous title. Through bold storytelling, avant-garde music and carefully designed theatrical elements, the performance invites audiences to step into the chaotic and raw emotions of its protagonist. Prepare to follow the Simp on a visceral journey of self-discovery, where love is ultimately a curse and a catalyst for change. 

Project Lead: CULTLEADERDON

Techno Neo-Classica

Concert/Performance

A piece for electronics, acoustics and dancers.

It is a living organism consisting of the transition between individuality and collectivism/ love and hate/ serene and wild/ techno and classical music.

"We, diverse people, try to live together in a society exceptionally closely.

We deadly love and hate each other.

We desperately need each other and destroy each other."

Project Lead: Bike Öner

the discreet charm of the CEOs

Play

Bill Gates, Elon Musk and Jeff Bezos are reunited at a small, dank studio in Los Angeles to record a YouTube interview for an unspecified Condé Nast property. Much to the chagrin of Daria, the director, Sunny, the DP, and Lucky, the 1st AD, The rest of the criminally underpaid crew has walked out, seemingly in protest of 'recent actions' made by some in the trio. The interview begins as planned, but the balance of power between the CEOs and the underpaid crew twists when the billionaires begin to realize that they all are mysteriously unable to leave the sound stage. Here is a farce of little consequence. A take on the new genre of "eat the rich" style commentaries, but with just a little more praxis.

Project Lead: Gabi Giron-Vives

The Golden Hour

Film 

Imagine this: low-rider cars, grillz, boombox speakers playing hip hop music and dancers freestyling on the street on a sunny day in Houston, Texas. Now, picture this scene reimagined in 2025, with today’s artists and dancers bringing a fresh take on the 90s hip hop culture of the South. This project explores how that iconic era would look if it were reinterpreted by the next generation.

Project Leads: Giuliana Velez and Saada Diggs

THE SERPENTS FLY AT SUNDOWN

Outdoor Puppetry Performance

A giant lantern puppet outdoor parade with original music that re-visits areas of the campus and city that have been impacted by environmental injustice. The performance blends the difficulty of seeing environmental injustice as an outsider, the high visibility of an element like puppets and the use of music as a tool to know/understand through sound.

Project Leads: Khristián Méndez Aguirre, Laura Camacho and Michael DeWhatley

The Tiger and the Spigot consider the Stars

Installation/Site-Specific Performance

The Tiger and the Spigot consider the Stars is an interdisciplinary collaboration between artist Javier Robelo and dancer Leo Briggs, creating wearable sculptures activated through dance and movement to explore how bodies, costume and performance can monument queer feeling.

 Project Leads: Javier Robelo and Leo Briggs

Things That Happen to a Girl Walking to a Bus Stop

Film

Have you ever wished you could go crazy and rid the world of all the obstacles you face when walking to the bus stop? In this totally unrealistic and made-up scenario, Things That Happen to a Girl Walking to a Bus Stop follows Girl, a person who is just trying to get to her destination but can't due to the annoying hurdles that block her path, aka disrespectful men. Inspired by the many times Women have been stopped and bothered while walking the streets in Austin, Texas. Girl goes through real-life situations; the outcome, however, are daydreams a Girl imagines because she just can't be left alone. Who doesn't want to go super saiyan and blast away all the annoying men that bother you?

Project Lead: Madi Palomo

THIS IS CONSENSUAL

Interactive Experience 

A 12 hour long multimedia performance art piece exploring questioning our relationship with consent and humanity’s voyeuristic habits.

From 9am to 9pm, THIS IS CONSENSUAL takes place in a bathroom and directly outside of it, a hidden camera tracking the happenings of a day of the bathroom’s existence. This camera projects onto a TV screen outside of the bathroom. Under the screen is a single sheet of paper with the phrase: THIS IS CONSENSUAL. Will you watch? Will you take part? What will happen when we know THIS IS CONSENSUAL?

Project Leads: Mackenzie Mann & Ellie Herr

We Are The Only Poets

Play

“We are the only poets… and everyone else is prose.” Emily Dickinson, 1851

We Are The Only Poets is a play that uses the poetry that Emily Dickinson exchanged with Sue Dickinson, her sister in-law and rumored companion, to offer an interpretation of the writer that is not restricted by historical stereotypes or patriarchal narratives. If poetry is the most honest and vulnerable form of language, then Emily should be remembered by the words she wrote– free from the distortions of time and tradition.

Project Lead: Lola Rose McNallie

Yes or No…

Play

Yes or No... is an exploration of curiosity and critique within the context of Theatre for Early Ages. The characters, Yes and No, navigate a world of confusion, ultimately arriving at their own unique reality—Yes-No. It is a surreal realm that taps into the inner child within everyone, using memories and imagery to construct a world where Yes might become No, No might become Yes, and confusion remains delightfully unresolved. 

Project Lead: Ishu

You Got My Heart

Performance

A powerful and poignant dance piece that explores the complexities of love and codependency. This tragic love story unfolds through movement, revealing the painful truth that sometimes, love may not be enough to keep two people together. In three acts through dance, we aim to capture the universal experience of codependency and the struggles of an average relationship. Dance offers a profound way to express the intricate layers of human emotion, which is why it’s the perfect medium for this story. Through this performance, we invite you to empathize with our characters and, in doing so, hope to inspire a deeper understanding and compassion toward yourself and your own relationships.

Project Leads: Jose Salcido, Katelyn Doyle and Gabi Hernandez

You Need the Goo!

Musical 

This dark-comedy takes us on a theatrical adventure through a school gone mad with goo. What is goo? Do you need it? Signs point to yes. Watch as this two act original musical, written for audiences of 14 and up has you laughing from beginning to end, and leaving more confused than you already are right now.

Project Lead: Oren Ederi

Reading Series

(to leave) when you go

Play

This is a play about Charm and Strange, a pair of quarks with unique traits and behaviors. They bond, and they decay. This happens quickly. This play is also about Caroline and Astor, two people in a relationship who can't seem to stay together. They keep trying. And they try again. Charm and Strange would like to be together for longer than one millisecond. Caroline and Astor would like to feel like they really belong together. We all want a lot of things. (to leave) when you go is a play about what it means to be bonded.

Project Leads: Kaia L and Walker Zupan

Absolute None!

Play

Five strangers find themselves sheltering inside a diner after a sudden government issued warning.

Project Leads: Penny Lou Zimmerman and Natalie Tran

All Engulfing

Play

All Engulfing is a haunting full-length play that traces the implosion of a mixed Jewish family at the hands of dissonance, neo-Nazism, a suspicious social worker and the looming menace of a callous outside world. A slice of life but the pie has molded, this play explores the often harrowing complexity of family dynamics, the confusion inherent to Jewish identity, the ramifications of caring and the struggle to exist in a world that seems to take pleasure in your misery.

Project Lead: Jax Schuck

Her Testimony, Our Story

Performance

A performance that tells the stories of the hardships of women of color throughout American history. Her Testimony, Our Story dives deep into significant events and stories of unsung yet extremely influential pioneers while also shedding light on the dark parts of American history. Let our performance take you on a journey to the past and learn about the struggle of being a woman of color in a systematically and implicitly racist America.

Project Lead: Elyse Rosario

The Tragicall Comedie of Margery Lyall

Play

It had been an uneventful 14th century for Margery Lyall. When she falls pregnant outside of her marriage, she does the expected. She claims she’s pregnant with the second coming of Jesus Christ. Launched from her mediocre life into sainthood, Margery must grapple with her rapidly changing world and the value of truth in it. The Middle Ages—what a time to be alive!

Project Lead: Charlie Sharpe

There's Something Wrong with That Steer

Play

A reading of a new play about a mystery involving a cow, a child, the national western stock show and a community at odds.

Project Lead: Avery Deutsch

The Winship Atrium Series

More information to come! 

Showtimes, titles and project information subject to change.