Recent News

director nick mayo talking to cast in The Drowsy Chaperone

ON THE BLOG: Director's Corner: A Conversation With Nick Mayo

December 1, 2017 | Off Book: A Theatre and Dance Blog

We sat down with Nick Mayo, a Central Texas native and the director of The Drowsy Chaperone, to discuss his life, career and the process of bringing this five-time Tony Award-winning musical to life on the stage.

image of raptor face with lighting for ENRON

EnRAPTORed with J.E. Johnson and Karen Maness

November 30, 2017 | Texas Performing Arts

Throughout the fall semester, Texas Performing Arts scenic studio supervisor, J.E. Johnson and scenic artist, Karen Maness, along with a team of students, have been developing the raptors of Lucy Prebble's ENRON, coming to the stage this spring.  

female actors on stage for 20th Century Blues on Broadway

Faculty Member Shines in Opening Night of 20th Century Blues

November 28, 2017 | Broadway World

Franchelle Stewart Dorn stars alongside Beth Dixon (The Good Wife), Polly Draper (thirtysomething), Kathryn Grody (Top Girls), Ellen Parker (The Heidi Chronicles) and Charles Socarides (Sons of the Prophet) in Susan Smith Blackburn Prize-winner and two-time Obie Award-winning playwright, Susan Miller's 20th Century Blues, which opened Off-Broadway November 26. 

man standing in front of theatre seats

Dance Magazine Award Honoree: Rennie Harris

November 27, 2017 | Dance Magazine

Dubbed the "high priest of hip hop," Rennie Harris is being recognized for his contributions to the field with a 2017 Dance Magazine Award. Harris begins his faculty appointment at the Department of Theatre and Dance in January 2018.

A poster for the Nutcracker Yorkville

Alejandro Herrera to perform with in Dance Patrelle’s ‘Yorkville Nutcracker’

November 17, 2017 | Dance Patrelle

Alejandro Herrera (B.A., Dance, 2015) will perform in Dance Patrelle's "Yorkville Nutcracker" in New York on Dec. 7-10 along with dancers from the New York City Ballet, Dance Theatre of Harlem and Broadway.

 

In the Ether from Fall For Dance 2017

Dance Repertory Theatre's Fall For Dance Spoke to Current Events

November 17, 2017 | The Austin Chronicle

The Austin Chronicle celebrates Dance Repertory Theatre's Fall For Dance, which was on stage November 8-12, 2017, as a concert in which "work after work...emphatically spoke to current events, to the here and now" and one that "reflect[s] who we are in this time of social disruption." 

Tony Award-Winning Musical The Drowsy Chaperone Comes to the B. Iden Payne Theatre

November 15, 2017 | Department of Theatre and Dance

The University of Texas at Austin Department of Theatre and Dance presents the musical comedy gem The Drowsy Chaperone directed by Nick Mayo, December 6-10, 2017 at the B. Iden Payne Theatre. With book by Bob Martin and Don McKellar and music and lyrics by Lisa Lambert and Greg Morrison, The Drowsy Chaperone offers a delightful tribute to Jazz Age musicals. 

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Three women pointing to something out of frame in The Crucible

Young Cast Shines in Arthur Miller's The Crucible

November 14, 2017 | Austin-American Statesman

The Austin-American Statesman (Austin 360) is calling Texas Theatre and Dance's production of Arthur Miller's classic one that "brings out the show's strengths while eliding its flaws, creating a powerful venue for many of the department's students to highlight their great talents." 

man in all black hovering above the floor

ON THE BLOG: Becoming Artist-Citizens Through Contemporary Ballet

November 7, 2017 | Off Book: A Theatre and Dance Blog

Artistic directors Jeremy Arnold, Erica Gionfriddo and Dorothy O’Shea Overbey discuss Fall For Dance and their choreographic works which seek to define the term “artist-citizen” and address the larger issues facing our society today.

series of headshots of actors in The Crucible

ON THE BLOG: Meet the Cast: The Crucible

November 3, 2017 | Off Book: A Theatre and Dance Blog

Arthur Miller's Tony Award-winning masterpiece, The Crucible, outlines the events of the Salem Witch Trials, which turned neighbor against neighbor in 17th century Massachusetts. Originally written as an allegory for 1950s McCarthyism and the House Committee on Un-American Activities, which accused thousands of Americans of being communists or communist sympathizers.