Past Events

Points of Intersection showcases the genre-bending versatility and technical prowess of the Department of Theatre and Dance’s resident dance company, Dance Repertory Theatre. These stunning new works have been created by guest artists from across the country and abroad, alongside the work of current M.F.A. in Dance candidates and the annual Haruka Weiser Memorial Commission. Points of Intersection will also feature the work of award-winning dance artist Claudia Lavista, artistic co-director of Delfos Danza Contemporanea.

The Performance as Public Practice Fridays@2 speaker series facilitates discussions about the creation and study of performance. PPP welcomes artists from within and beyond the Winship Drama Building, including current students, distinguished alumni and arts leaders from across the country, to share their research and methodology. Up next, PPP collaborates with Latinx Theatre Initiative to present three readings of plays by María Irene Fornés.

The Performance as Public Practice Fridays@2 speaker series facilitates discussions about the creation and study of performance. PPP welcomes artists from within and beyond the Winship Drama Building, including current students, distinguished alumni and arts leaders from across the country, to share their research and methodology. Up next is an artist talk with Eiko Otake about her current project, I Invited Myself. 

A theatre-making workshop with Kirk Lynn. Harness inspiration, direction, community and chaos through a deep engagement with the play spirit. We'll write and play games in the hope that we might lose ourselves and find some meaning. 

IGGY and OÑIO are two middle school boys who have a hard time fitting in with nearly anyone around them – peers at school, family at home and even each other. But, one night OÑIO decides to take IGGY on an intergalactic adventure into outer-spayce to figure out if they can actually become friends after constantly ignoring each other at school. Traversing through planets with friendly aliens, stardust meteor showers and even a lunar encounter, the boys start to see each other for who they really are and, in the process, see themselves too.

When Cake and Broccoli are unexpectedly rejected, they must learn to be good so the humans will eat them. But will these unlikely buds find the answer before they face the unmentionable fate of being thrown in the trash? Or is the meaning of “good” more elusive than it first appears? By complicating harmful narratives classifying food as “good” or “bad,” this play for ages 6 and up prompts us to reflect on the meaning of worthiness and the value of food in our lives.

Playgrounds are designed to be dangerous enough for experimentation, yet safe enough to allow experiments to fail without serious injury. This play is a playground. When Arthur is asked to design a bulletproof playscape for his daughter’s old school, he confronts an unsettling reality: that the world does not operate by the same rules as playgrounds. At a time when dangers beyond the playground are overwhelmingly present, this is a story about the endurance of care. It is a play about learning, growing up, and grown-ups learning to play.

It's 16th century France and everything is horrible! There's bubonic plague, major agricultural collapse and the leadership is corrupt as all hell.  When a dancing plague breaks out, a group of potato farmers cue the strobe lights and reach towards hope. These are the choreomaniacs. This is their (mostly) true story.

UTNT (UT New Theatre) presents newly developed works from playwrights of Texas Theatre and Dance and Michener Center for Writers. Now celebrating its 17th season, this showcase exists as an incubator for new work, with many plays continuing on to be professionally produced across the country.

Celebrate the works of Mexican choreographer and dancer Claudia Lavista (2024 Fulbright Scholar). "If we want to talk of the great figures of Latin American Contemporary Dance, the name of Claudia Lavista is unavoidable." (Valerio Cesio; Danza Magazine, Madrid)