One of America's most widely-produced and published contemporary playwrights, Steven Dietz's thirty-plus plays have been seen at over one hundred regional theatres in the United States, as well as Off-Broadway and internationally. His work has been translated into ten languages.
Dietz's recent premieres include Bloomsdayat ACT Theatre (Seattle), and two National New Play network "rolling world premieres": On Clover Road at the Contemporary American Theatre Festival (Shepherdstown, WV), San Francisco Playhouse and Phoenix Theatre (Indianapolis); and Rancho Mirage (2013 Edgerton New Play Award) at the Olney Theatre Center (Olney MD), New Rep (Boston), Phoenix Theatre and Curious Theatre Company (Denver). Other recent plays include This Random World, written at the New Harmony Project (New Harmony, IN) and The Shimmering.
Dietz is a two-time winner of the Kennedy Center Fund for New American Plays Award, for Fiction (produced by Roundabout Theatre Company, Off-Broadway) and Still Life with Iris; as well as two-time finalist for the Steinberg New Play Award, for Last of the Boys (produced by Steppenwolf Theatre, Chicago) and Becky's New Car. He received the PEN USA West Award in Drama for Lonely Planet; the 2007 Edgar Award® for Drama for his widely-produced Sherlock Holmes: The Final Adventure; and the Yomuiri Shimbun Award (the Japanese equivalent to the Tony Award) for his adaptation of Shusaku Endo's novel Silence.
Other widely-produced plays include Shooting Stars, Inventing Van Gogh, Gods Country, Private Eyes, The Nina Variations, Trust, Rocket Man, Halcyon Days, Ten November, Foolin' Around with Infinity and More Fun Than Bowling. Other award-winning stage adaptations include Force of Nature (from Goethe), Over the Moon(from P.G. Wodehouse), The Rememberer(from Joyce Simmons Cheeka), Paragon Springs (from Ibsen), Dracula (from Bram Stroker), Go, Dog. Go!(with Allison Gregory, from P.D. Eastman), and two of Dan Gutman's baseball card adventures - Jackie and Me and Honus and Me.
Dietz's work as a director has been seen at many of America's leading regional theatres. He was a resident director for ten years at the Playwright's Center in Minneapolis, where he also served as artistic director of Midwest PlayLabs.